Though television programming existed in various forms for more than a decade before the first situation comedies officially arrived in the late 1940s, the sitcom quickly became one of the most popular and duplicated genres for the next 80+ years. From stand-up comics to Hollywood icons, sitcoms are responsible for some of pop culture’s biggest stars, from Jerry Seinfeld to Jennifer Aniston to Dick Van Dyke to Lucille Ball, as well as some of the most memorable catchphrases.
Despite broadcast networks no longer championing sitcoms as much as in years past, with streaming services picking up the slack — Netflix is now more known for multi-camera sitcoms than any of the Big 4 — TV comedies will likely continue to keep audiences breathless with laughter for many more years to come. As such, CinemaBlend’s staff came together to celebrate and rank the 100 best sitcoms of all time, with the order stemming partially from our writers’ sharing scores for more than 200 different series, along with other contributing factors.
So sit back in your favorite recliner, grab an extra-large Squishee (or an ice-cold Duff, if you’re of age) and settle into the coziness, comfort, and occasional cringeworthiness of the best TV sitcoms of all time, according to CinemaBlend.
100. Bewitched
You know a show is a classic when even Marvel is drawing inspiration from it nearly 50 years after its end. The fantasy sitcom Bewitched worked its magic at CBS for eight seasons, partially due to the phenomenal comedic acting of Elizabeth Montgomery and Dick York, who was famously replaced by Dick Sargent due to York's worsening health issues. Add in an equally impressive ensemble cast including Agnes Moorehead, David White, and Paul Lynde (just to name a few), and it's no wonder Bewitched was a nose-twitching delight of a show that doesn't need supernatural abilities to be great.
99. Laverne and Shirley
Arguably the most successful Happy Days spinoff, as well as one of the best TV comedies of all time, Laverne & Shirley followed two best friends and bottle-cappers as they navigated life and everything it threw at them in Milwaukee, Wisconsin (later Burbank, California). Though similar in tone to its predecessor, this long-running sitcom relied more on the physical comedy talents masterfully pulled by stars Penny Marshall and Cindy Williams. And when it comes to iconic opening credits sequences, Laverne & Shirley was in a league of its own with all those shots of the fictional Shotz Brewery along with that classic theme.
98. Beavis And Butt-Head
No Beavis And Butt-Head fan will argue that the show isn’t dumb. Because it is. It really, really is, in each of its iterations. The two eponymous characters rank as two of the most unambiguously stupid protagonists to ever grace a TV screen, and every word they say is unadulterated idiocy. Ironically, though, that’s the genius of Mike Judge’s creation. The impossibly dumb leads allow for stories that no other sitcom can reasonably or responsibly touch with any degree of verisimilitude, while also permitting some outrageously weird takes on music videos (and social clips) across various eras.
97. Hogan's Heroes
War stories are often suited for prestige dramas, but Hogan's Heroes proved that a P.O.W. camp comedy could be just as awards-worthy. During its 168-episode run, Bob Crane's titular leader and his squad constantly thwarted Nazi enemies with fast-talking and constant hijinks (many of which were put into play by future game show legend Richard Dawson). Lasting as long as World War II did itself, Hogan's Heroes showcased how reflecting on past tragedies with humor can make for memorable art.
96. How I Met Your Mother
How I Met Your Mother may be higher on this list if not for fan opinions of the final season, but I would 100% say that it’s worth watching despite a lackluster ending. This show is about finding out how Josh Radnor’s Ted met his future wife, but it really thrives as a series about best friends. As Neil Patrick Harris’ Barney Stinson would say, this ensemble is legen–wait for it–dary, and those who check it out will definitely be invested in what the cast is doing now that the series is over.
95. Mork & Mindy
Today we all know what an immense talent Robin Williams was, and the absolutely wild places he could take comedy. Imagine not knowing any of that, and then turning on an early episode of Mork & Mindy, where he must have come across quite like somebody from another world, much like the character he played. Mork from Ork gave Williams the freedom to do almost anything on screen opposite Pam Dawber’s Mindy (and later Jonathan Winters), and it’s no surprise he took over Hollywood after four successful seasons.
94. The Adventures of Pete and Pete
Plenty of shows focus on the weirdness of suburbia, but Nickelodeon’s The Adventures of Pete & Pete still stands awkwardly as one of the best. As Older Pete (Michael Maronna) and Younger Pete (Danny Tamberelli) navigate the oddities of Wellsville, life lessons and warm memories are gifted to viewers by creators Will McRobb and Chris Viscardi. Pete & Pete delivers its homespun tales with a deep-seated love of ‘50s and ‘60s pop culture, and with one of the more impressive celebrity guest star rosters of kid-centric TV. Where else will you find REM’s Michael Stipe as a conspiratorial ice cream man?
93. black-ish
Watching Anthony Anderson and Tracee Ellis Ross’ Andre and Rainbow Johnson raise their family amidst navigating various challenges in and around their largely white-populated neighborhood, all while still hanging onto their Black identities, makes for eight seasons of exceptional sitcom storytelling. While black-ish went on to launch two spinoffs, the original still stands as the cream of the crop, expertly balancing pointed social commentary and humor regarding a variety of topics, racial and otherwise. Plus, TV grandfather-dom looks great on Laurence Fishburne.
92. The Munsters
What happens when a family largely modeled after Universal’s Classic Monsters takes up residence in the middle of suburban America’s Mockingbird Heights? You get The Munsters, which slotted in nicely among other comedic offerings in the ‘60s while also satirizing sitcom tropes of the era. Although Fred Gwynne’s bumbling patriarch Herman was often the driving force behind the weekly shenanigans, Lily, Grandpa, Eddie and Marilyn (the only “normal” looking one) were all far more endearing than their monstrous counterparts, making The Munsters a great platform for chaotic, yet heartfelt entertainment.
91. Happy Endings
Best friends are always good sitcom fodder, as David Caspe’s Happy Endings proved for three seasons on ABC ahead of its fan-angering cancellation. Damon Wayans Jr.’s cucumber-cool Brad and Eliza Coupe’s A-type Jane are the group’s PDA-friendly couple, while her sister, Elisha Cuthbert’s confusion-prone Alex, is exes-ish with Zachary Knighton’s dorky-smooth Dave. The group is rounded out by Adam Pally’s schlubbo-sexual Max and Casey Wilson’s serial dater Penny. Perhaps the only sitcom whose leads share a fictional history as Real World vets, Happy Endings is as fun and fancy-free as romance-fueled sitcoms get.
90. Unbreakable Kimmy Schmidt
Less than two years after Ellie Kemper played Erin Hannon for the last time on The Office, she sunshine-smiled her way through a bonkers show of her own with Netflix’s original Unbreakable Kimmy Schmidt. The series, which centered on former cult member Kimmy’s surreal and gung-ho acclimation to life in a “real” world she hadn’t lived in for years. One of the more unique shows from creators Tina Fey and Robert Carlock, Kimmy could have made this list just for turning the multi-talent Tituss Burgess into a small-screen regular. Extra kudos for the follow-up movie Kimmy vs the Reverend.
89. That '70s Show
Starring Topher Grace and running for eight seasons from 1998-2006, That ‘70s Show transports any generational audience who watches back to the late 1970s for the horned-up (and oh-so-slightly drugged-up) exploits of high school besties and their respective parents. The teens were played by actors who would go on to become bona fide stars, including Ashton Kutcher, Mila Kunis, Wilmer Valderrama, and Laura Prepon. The Circle in Eric’s basement was always reliable for big laughs, and though its final season suffered from cast exits, Netflix’s That ‘90s Show kept the good times going far more successfully than That ‘80s Show.
88. Extras
Ricky Gervais and Steven Merchant followed up on the smash success of The Office by crossing the ocean to HBO for the Hollywood-skewing riot Extras, which hinged on the fraught character trifecta of Gervais’ dispirited actor Andy, his god-awful agent Darren (Merchant) and his kind-hearted and oblivious actress BFF Maggie (Ashley Jensen). While only two seasons and a Christmas special, it’s a modern classic not only for its gloriously cornball faux sitcom When the Whistle Blows, but for bonkers celebrity cameos from Kate Winslet, Patrick Stewart, Ian McKellan and more. Gervais also delivers an all-time Top 5 spit-take in one episode.
87. The Bernie Mac Show
The late Bernie Mac is still widely viewed as a comedy giant, and his eponymous family sitcom is a major reason for that. The Bernie Mac Show definitely isn’t the first comedy to be headlined by a stand-up, but it’s one of the few that so perfectly utilized the talents of its lead. Mac’s signature brand of no-nonsense humor is especially hilarious when he bounces off his A+ co-stars. But, overall, what makes this series one of the great modern Black sitcoms is its funny, warm and nuanced depiction of familial dynamics amongst African Americans.
86. Gilligan's Island
Before The Brady Bunch (but after The Red Skelton Show), screenwriter and producer Sherwood Schwartz launched 1964's smash-hit Gilligan's Island, and the fictional voyage was far more doomed than the show's. Starring Bob Denver and Alan Hale, the sitcom won over viewers with plots hinged on island inventions, unexpected visitors, dream sequences, and random items washing up ashore. While the show famously never hit one hundred episodes, its premise was beloved enough to spark several TV movies and the truly baffling Saturday morning cartoon spinoff Gilligan's Planet.
85. Mad About You
Chemistry is usually all it takes to keep a sitcom afloat, whether its shared by an ensemble (see: Friends) or tethered to a winning duo like Paul Reiser and Helen Hunt in Mad About You. It helps that both actors lent their movie-level wattage to the sitcom for eight seasons, exploring marriage and eventually parenthood in New York City. (Reiser previously co-starred in My Two Dads, to be sure.) But despite the parade of stellar comedic co-stars — Hank Azaria, Lisa Kudrow, Carol Burnett, and Mel Brooks? Come on! — it was Paul and Jamie keeping us invested. We were mad about them, and maybe a different kind of mad about Mabel.
84. Three's Company
Three’s Company is an interesting case-study in dated sitcom writing, as 90% of the jokes that prop up the show wouldn’t fly today. Almost every single line can be construed as sexual innuendo, and the plot twists of a given Three’s Company episode are so driven by silly miscommunications, the formula is basically cliche. However, John Ritter’s deep reservoir of charm, when combined with his incredible chemistry with the female roommates that came in and out of his orbit, made it an overall win, and one of the most memorable and breezy sitcoms of the 1970s and ‘80s.
83. Family Guy
What can be said about Family Guy that hasn’t already been said? While Seth MacFarlane’s first mega-hit doesn’t feel quite as crude as other late night animated fare these days, it quickly cemented itself as an envelope-pushing primetime entry thanks to its murderous baby, they hyper-perverse Quagmire, and the less said about Herbert, the better. The series made a meme-worthy artform out of cutaway gags, man vs. chicken fights and lowbrow pop culture spoofs. At this point, the Griffins are basically as widespread as the Simpsons, and Brian would certainly drink to that.
82. Malcolm In The Middle
Malcolm in the Middle was a key part of Fox’s Sunday comedy lineup for six of its seven seasons from 2000-2006. At the time, the Frankie Muniz-starring comedy was a rare example of a single-camera sitcom that eschewed a laugh track and had its lead regularly breaking the fourth wall. The family was known to deal with serious issues in the background of the shenanigans of the sibling trio, which helped the sitcom win seven Emmys. It was also Bryan Cranston’s breakout primetime TV role, proving he was a comedy legend years before dipping into drama for Breaking Bad.
81. The Facts Of Life
A spinoff of Diff’rent Strokes, The Facts of Life is one of the most successful TV offshoots that shares little with its predecessor, and for good reason. The coming-of-age sitcom explores adolescence in a way that neither its predecessor nor follow-up projects ever could, with a perfectly cast ensemble of young actresses led by the incomparable Charlotte Rae. This sitcom exists because of Rae’s previously stellar work, and her warmth and charm in the role of Mrs. Garrett helped make a family out of her girls, from Natalie to Tootie to Jo to Blair and the rest.
80. The Addams Family
Although The Addams Family started off as a single-panel New Yorker comic strip published from 1938 to 1964, it was the TV series premiering that same latter year which made the family a pop culture favorite. Watching Morticia, Gomez, Uncle Fester, Wednesday, Pugsley, Grandmama, Lurch and Thing freak people out with their macabre tastes and supernatural antics never got old, and without the popularity of this show, it’s doubtful these ghoulish characters would have returned in a variety of live-action and animated projects in later years.
79. My Name Is Earl
My Name Is Earl earned its way to sitcom greatness thanks to star Jason Lee’s all-in performance as Earl Hickey, as well as the great premise that sees Earl attempting to right the litany of past wrongs committed against seemingly everyone he’d ever met. (The concept also helps make it easy to drop in on any random episode without really needing to see what happened beforehand.) Ethan Suplee, Eddie Steeples and Jaime Pressley are equally brilliant in their respective roles, and we can still relate to Earl to this day anytime we struggle to keep our eyes open while taking a picture.
78. The Middle
Every once in awhile, a show sneaks it way into the zeitgeist and in our memories. The Middle, a show about a quirky middle-class family from the Midwest ran for nine years and hit home for a wide and nostalgic audience. It was a breath of fresh air and an honest take on class and what it was really like to grow up in, well, “the middle” of everything. Ironically, it was the ending of the show that stuck with most, but all good things must come to an end.
77. Dave
This whole entry could be spent talking about how Dave is driven by the exceptional talent of David “Lil Dicky” Burd, who has a truly offbeat world perspective to go along with his legitimate gifts as a rapper. But that would be a disservice to Davionte "GaTa" Ganter, who proves over the course of the three seasons to be the NSFW series’ true heart. It gets funny and ridiculous, but it can also deliver a nice, solid gut punch courtesy of your investment in the characters’ plights for recognition.
76. Spin City
Arguably TV's least polarizing political sitcom, Spin City was a winning candidate for its six-season term in part due to co-creators Bill Lawrence and Gary David Goldberg. The latter also created Family Ties, and brought Michael J. Fox into the lead role here as well, with Charlie Sheen successfully taking over in Season 5 after Fox's medical-related exit Spin City is also a melting pot of TV excellence, boasting Connie Britton, Carla Gugino, Richard Kind, Alan Ruck and more greats filling out the NYC mayor’s office.
75. The Andy Griffith Show
One of the most iconic and wholesome sitcoms of the 20th century, The Andy Griffith Show gave audiences nearly 250 episodes with the residents of the fictional town of Mayberry, North Carolina, centering on local sheriff Andy Taylor, played with aw-shucks charm by Griffith. Characters like Barney Fife (Don Knotts), Gomer Pyle (Jim Nabors), Aunt Bee (Frances Bavier), and Opie (a young Ron Howard) made for plenty of the early highlights in sitcom history, both in black-and-white and color.
74. Family Matters
Airing for nine seasons from 1989-1997, Family Matters became a beloved sitcom for multiple generations regularly tuning into ABC’s TGIF lineup. The spinoff of Perfect Strangers followed the highs and lows of the Winslow family, with Die Hard vet Reginald VelJohnson becoming an iconic sitcom dad as Carl Winslow. Of course, Jaleel White’s Steve Urkel famously stole the spotlight as the nerd-tastic breakout star, sporting the signature “Did I do that?” catchphrase. Yes, he certainly did, if by “that” he meant annoying his unrequited love Laura or creating alternate versions of himself via sitcom science.
73. The Wonder Years
The Wonder Years aired from 1988-1993, but very fathfully recreated the late ‘60s and early ‘70s to invite audiences into the lives of the Arnold family. Starring Fred Savage in his breakout role (alongside fellow greats Dan Lauria, Alley Mills, and Danica McKellar), the coming-of-age comedy touched on Vietnam War politics, high school romance, deaths of loved ones, sibling rivalries and more, with Daniel Stern's narration a key source of its charm and emotional heft. From using Joe Cocker’s unforgettable “With a Little Help from My Friends” to its powerful-yet-unplanned finale, it’s no wonder that this classic eventually inspired a reboot.
72. The Flintstones
The Flintstones is arguably the first animated project to prove itself as much of a classic sitcom as anything in live-action. Premiering back in 1960 and running for six wildly successful seasons, the sitcom follows the titular family within a fictional and idealized version of the Stone Age. Its popularity kept it airing in syndication for decades,later inspiring spinoffs, live-action movies, TV specials, ice cream pops, and (of course) the most memorable vitamins down the medicine aisle.
71. The Proud Family
The Proud Family was one of the standout shows of ABC’s One Saturday Morning programming block, walking the line between cartoony kids show and legitimate family drama quite well. Disney+’s more recent Louder And Prouder revival is evidence of that popularity and storytelling skills. Kyla Pratt’s Penny Proud is as relatable a TV teen as can be, and Sugar Mama (voiced by Family Matters’ Jo Marie Payton) is the kind of grandmother anyone would appreciate, sans bodyslams.
70. The Drew Carey Show
Long before he became host of The Price is Right, Drew Carey jumped from standup comedy to sitcom stardom with The Drew Carey Show, which ran for nine increasingly zany seasons from 1995-2004. The comedian starred as a fictionalized version of himself living in Ohio, working at a mundane job surrounded by a core group of friends with hijinks to spare. (Particularly during the A+ April Fool’s Day episodes.) This was the first big scripted TV role for cast members like Christa Miller, Diedrich Baker, Ryan Stiles, Craig Ferguson, and John Carroll Lynch. Hopefully fans can agree with the show on one thing: Cleveland Rocks!
69. Designing Women
If watching four sassy, professional ladies flourish, flounder, and tell it like it is sounds like something you can get behind, then look no further than Designing Women. The comedy starred the all-time great cast of Dixie Carter, Young Sheldon’s Annie Potts, Delta Burke and Hacks star Jean Smart as co-workers sharing their personal and professional trials and triumphs to side-splitting effect over several seasons. Even better, the show managed to work in a lot of social commentary that’s still relevant today, and no one has ever taken down bullies and bigots like Carter’s Julia Sugarbaker.
68. Night Court
Many sitcoms can be vehicles for a single great comedian to shine, but the strength of the original Night Court was its ensemble. (And that sax-y theme.) Harry Anderson played de facto leader Judge Harry Stone alongside John Laroquette, Markie Post, Richard Moll and more, and the jury of TV audiences gave the verdict of Night Court being guilty of hilarity. Despite the fact that the show’s format could seem as formulaic as real-life courtroom dockets, silliness often ensued, and fans were happy to watch these talents play off each other for an enviable nine-season run. Its popularity endures with Melissa Rauch’s 2023 revival.
67. The Honeymooners
TV shows have a way of changing the pop culture landscape by being quotable, and The Honeymooners is one of the earliest sitcoms whose influence is definitely still felt in that category, with “One of these days Alice…” and “To the moon!” persisting so many decades later. The all-time classic follows two New York City couples and the various shenanigans they get into, with Ralph and Alice famously played by Jackie Gleason and Audrey Meadows, respectively. And while the empty threats of domestic violence might be jarring for newcomers, The Honeymooners significantly set the stage for so many sitcoms to follow.
66. Raising Hope
Wacky isn’t always a word that comes up when discussing family sitcoms, but Raising Hope fits that description to a T. The Chance family is filled with more lovable and well-meaning weirdos than you’d think could possibly fit into half-hour eps, but they all have their odd (and potentially relatable) quirks. From dad Burt (who picks his nose by using all 10 fingers), to matriarch Maw Maw (who can frequently be found shirtless and/or braless and giving off old people smells), you’d be hard-pressed to land on an episode that doesn’t make you choke on your big dill pickle.
65. Fresh Off The Boat
Everyone loves a good family sitcom, and while Fresh Off the Boat is technically about the young, hip-hop-obsessed son within a Taiwanese-American family in Orlando, the real comedic meat of the show is his mom, Jessica (Constance Wu). We’ve never seen a mom like Jessica Huang before. Yes, she’s loving, but it’s an absurdly tough, uncompromising love that pushes her nice, America-loving husband and three sons to excel. She’s also fiercely competitive and not someone to mess with, which diners-and-dashers can attest to, and is a big reason why Fresh Off the Boat will always be watchable.
64. Everybody Hates Chris
Abbott Elementary fans can attest to Tyler James Williams’ comedic chops, but he first honed them from his younger Hollywood days as the star of Everybody Hates Chris. Created by Chris Rock (who narrates) and Ali LeRoi, the show is based on the stand-up legend’s teenage years, and finds ways of making everyday occurrences the most hilarious things in the world, often landing a wide-eyed Chris in trouble. From James’ impressive performance as a teenager to the rest of the cast (including a stellar Terry Crews’ dad mode), Everybody Hates Chris is a must-watch for comedy lovers of all ages.
63. Get Smart
Secret agent movies were big in the 1960s, so how could one go wrong with a spoof comedy series created by Mel Brooks and Buck Henry? Get Smart stars Don Adams’ Maxwell Smart (aka the bumbling CONTROL Agent 86) often teaming up with Barbara Feldon’s more-than-capable sidekick, Agent 99, to thwart the evil, if not entirely professional, efforts of the cabal KAOS. From the series’ iconic opening credits to Max’s shoe phone, Get Smart stands the test of time, with some great catchphrases to boot, including “MIssed it by that much,” and, “Would you believe…?”
62. Don't Trust the B---- in Apartment 23
We sometimes wonder how well creator Nahnatchka Khan’s Don’t Trust the B—- in Apartment 23 would have fared if it lasted beyond its celebrated two-season run. And we wish we were given the chance to actually see that hypothetical third season for ourselves, as the 26 episodes we did get were spot on. Pairing Dreama Walker’s naive June with Krysten Ritter’s scheming Chloe made for an odd couple who knew how to have exciting adventures. Frequent appearances by an early-career Eric André and an always charming James Van Der Beek only made this ABC series all the sweeter.
61. Good Times
A quality sitcom spinoff can be a challenge. Repeat what worked on the original, or try to do something totally different? Good Times spun off from Maude (which itself was an All In The Family offshoot), and succeeded through carving out its own authentic niche centering around the hard-working and cash-strapped characters of Florida (Esther Rolle) and James Evans (John Amos). The two leads were excellent throughout, though Good Times eventually shifted its primary focus to Jimmie Walker, the sitcom’s breakout star who coined the phrase “Dynomite!” and rode that marketing freight train to global superstardom. A series that lives up to its name, and then some.
60. The Nanny
The Nanny has long been synonymous with its star Fran Drescher, who played the titular Nanny Fine throughout the show’s six-season run on CBS. Despite being a quintessential ‘90s sitcom, the show’s comedy still feels super fresh and contemporary, even if the pop culture references are dated. Descher is truly unbelievable as Fran, and The Nanny has one of the best TV theme songs of all time. And it’s a show that younger generations absolutely NEED to binge-watch, amidst the ongoing hope for fans to see more.
59. Archer
If Archer were merely an expertly crafted James Bond parody, we’d still love it. However, this long-running FX staple’s greatness comes from the lore-heavy, spy-fi universe that creator Adam Reed’s built atop the back of loving send-ups to the espionage subgenre. H. Jon Benjamin anchored an all-timer voice cast that delivered dialogue and performances as sharp as Lana’s switchblade. The show veered from staleness by aping different genres for Danger Island and other “Coma Seasons,” further widening the comedic field of play, and I can’t imagine anyone wouldn’t finger Archer as the wildest workplace sitcom to date. Phrasing, BOOM!
58. Happy Days
When one thinks of Happy Days, the first image that likely comes to mind is Henry Winkler’s Arthur "Fonzie" Fonzarelli giving a cool-as-hell thumb’s up. Though he was initially just a minor player, the leather-donning jukebox-smacking ladie’s man quickly became the show’s most popular character. But its picturesque version of the 1950s and 1960s is just as iconic, as is the entire Cunnhingham family (except maybe for the disappearing brother Chuck) and further ensemble, which spawned a whopping seven spinoffs. And if you don’t agree with all that, well, sit on it!
57. Martin
A couple of years before he became an action movie king in Bad Boys, Martin Lawrence created and starred in his own sitcom, which gave fans five seasons of over-the-top episodes. Lawrence’s Martin Payne is a loud, rambunctious, and highly opinionated Detroit disc jockey who constantly finds himself in all kinds of trouble both at work and at home with Tisha Campbell’s Gina. (A dynamic that shifted in the final season for BTS reasons.) Martin himself was fun, but his various other personas —Sheneneh Jenkins, Rosco, and Dragonfly Jones — gave the sitcom a fun and unique spin, foreshadowing Lawrence’s later career.
56. Living Single
Living Single is one of those sitcoms that thankfully managed to age well , premiering back in 1993 and following a group of friends residing together in a Brooklyn brownstone. With a killer cast including Queen Latifah (who also performed the outstanding theme song), Kim Coles, Kim Fields and Erika Alexander, Living Single’s formula succeeded ahead of Friends reaching more sensational heights, and the topic of influences there has made for many discussions. Regardless, the sitcom is a Black TV treasure, and boasts a trove of terrific musicians, athletes and comedians as guest stars, from Flip Wilson to Chaka Khan.
55. Will and Grace
Will & Grace might as well have also had Jack and Karen in the title as well, such was the strength of this foursome as they unsuccessfully dated and schmoozed their way to making LGBTQ+ history. The NBC Must See TV classic was an Emmy darling during its initial eight-season run, and its ongoing popularity beyond the “final” season inspired NBC to revive it for another two seasons. Which thankfully meant more from the bevy of guests and recurring stars that popped up over the years, from Matt Damon to Matt Bomer to Madonna.
54. Murphy Brown
Sure, Murphy Brown fulfilled the sitcom basics of starring a single, middle-aged working woman (whose eventual single-mom status shook up the status quo), being funny, and serving up great characters — Jim Dial, slugger — to support the Aretha Franklin-loving titular lead. Arguably most important, though, its its rare delivery of a flawed female main character (recovering alcoholic) who’s frequently irascible, dedicated to her job as a journalist, and unafraid to speak up in a male-heavy industry, giving audiences every reason to root for through every uproarious rant and unnecessary assistant change. There’s a reason Candice Bergen earned five Emmys from seven nominations for her work across ten seasons.
53. The Bob Newhart Show
Nobody can do deadpan humor quite like the eponymous star of The Bob Newhart Show. The beauty of this 1970s sitcom was that it allowed Bob Newhart to play off of those stand-up comedy strengths, acting as the straight man to his psychologist Bob Hartley’s many unique patients. Co-starring Suzanne Pleshette as Bob’s beloved wife Emily — the two made sitcom history together on his next sitcom as well — and Peter Bonerz and Bill Daily as his pals, The Bob Newhart Show remains exemplary for its character-driven laughs.
52. Sanford And Son
The laughs that Sanford and Son delivers from episode to episode are fairly unique compared to other sitcoms. Redd Foxx and Demond Wilson are perfectly cast as Fred and Lamont Sanford, respectively, playing off of each other in ways reminiscent of comedy duos in vaudeville and radio shows. The writers also deserve a lot of credit for effectively employing racial humor, considered edgy at that time, as well as for bringing in hilarious characters like “Aunt” Esther Anderson and Grady Wilson. But Foxx – who just oozes superior comedic timing – steals so many scenes with his energetic performances. “This is the big one!”
51. Superstore
All things consumerism considered, it’s almost surprising so few workplace comedies are anything like Superstore. For six seasons, viewers watched Amy (Oscar nominee America Ferrera), Jonah (Ben Feldman) and their wacky big box store co-workers readily getting into myriad insane scrapes and intriguingly complicated relationships, while trying to maintain order (or causing disorder) within the retail sphere. Superstore gives fans peak workplace sitcom, with innumerable sight gags for those watching closely, as well as a low-key, slow-burn mystery involving feet showing up all over the store. It’s a hilarious win-win that theoretically helps everyone see their jobs aren’t as bad as they could be.
50. The Fresh Prince Of Bel-Air
Before the Men in Black and Bad Boys franchises and that Academy Award-winning role in King Richard, Will Smith veered away from his successful rap career to introduce viewers to…Will Smith…for The Fresh Prince of Bel-Air. Just saying its name instantly brings its classic theme song to mind.
Following a kid from West Philly sent off to live with his affluent uncle’s family in Bel-Air, this sitcom oozed ‘90s sitcom charm and hilarity, helping Will Smith expand his comedic talents opposite the great James Avery, Janet Hubert (for a spell) and more. From the Carlton dance to that classic “very special episode” where Will gets shot, Fresh Prince features plenty of justification for its continued success in syndication and streaming.
49. Family Ties
Eventually, Family Ties became known as “The Michael J. Fox Show,” and it was hard to avoid. Fox was a charismatic ball of energy who became a bona fide superstar during the run of the show, and even eclipsed famous guest stars such as Tom Hanks when they appeared.
But before Fox reached all-star status, Family Ties won over audiences as a warm, endearing, and relatable sitcom about liberal parents trying their best to raise their three kids – one of whom happened to be a briefcase-toting, card-carrying Republican. We all saw ourselves in at least one member of the Keaton family, and tuned in weekly to appreciate the ties that bound them all together.
48. Mr. Bean
Rowan Atkinson would have been amazing during the silent film era, but is thankfully a more modern talent, since we otherwise might never have known the childlike, frustration-spiked foibles of Mr. Bean. Co-created by the comedian’s Black Adder partners in hilarity, Ben Elton and Richard Curtis, Mr. Bean is an idiosyncratic sitcom in that its five-year stretch comprised 15 sporadically aired one-off episodes, as opposed to seasons, which inspired a pair of feature films, an animated series, and more pop culture greatness.
Atkinson brings his physical comedy mastery to a plethora of disaster-laden circumstances, from nonchalantly changing into a swimsuit to getting ready for the dentist while driving to being locked out of a hotel room and dozens of other awkward moments.
47. The Mick
Only two seasons of The Mick aired between January 2017 and April 2018, telling the story of a foul-mouthed dirtbag forced to be the guardian of her affluent niece and nephews, and all 37 episodes are send-you-doubled-over-off-your-couch hilarious. Which means a lot of people were sleeping on this brilliance when it aired, and we’re still sore about it.
Led by Kaitlin Olsen, the entire cast is spectacular (with a special hat tip to the brilliant Scott MacArthur as the oft-injured ne'er-do-well Jimmy), but what truly makes this show exceptional is its beyond-dark sensibilities and unwillingness to accept the idea of a “line” that can’t be crossed. The final scene of the series finale is actually a perfect ending in that sense, and we’re sure that more seasons would have pushed it higher up the rankings.
46. The Jeffersons
Norman Lear & Co.nailed it when they moved George, Louise and Lionel Jefferson from All in the Family to their own show. The Jeffersons is 30-minute comedy at its finest, offering an excellent premise, and an array of interesting stories built on it. Sherman Hemsley and Isabel Sanford are electric as George and Lousie, effortlessly conveying their on-screen marriage with warmth, humor and occasional contention, all while surrounded by a strong supporting cast.
There’s also the series’ impact on Black culture and the TV landscape as a whole. It’s one of the earliest shows to have depicted an upper class African American family – and the complexities of such a dynamic. We should all be grateful that these characters moved on up.
45. 30 Rock
If there were any doubts that Tina Fey could transport her magic touch from SNL to a scripted sitcom, 30 Rock proved them pointless. The show-within-a-show’s very first season won the Emmy for Outstanding Comedy Series, and scored nominations for Tina Fey and Alec Baldwin. (Both went on to win elsewhere in the NBC comedy’s seven-season run.)
The show is infinitely quotable, thanks in large part to Tracy Morgan and Jane Krakowski, and recruited standout part-time stars ranging from Matt Damon to David Schwrimmer to – of course – Steve “How do you do, fellow kids?” Buscemi. Plus, it imparted the following important lesson from Tracy Jordan: “Live every week like it’s Shark Week.” No SNL knowledge is needed to appreciate the sketch-skewing humor, but it’ll help.
44. Scrubs
Hospital dramas have become as commonplace as any TV offering, so having Scrubs around to follow its doctors, nurses and Sacred Heart staff through a comedic lens continues to be a welcome respite. Not to say Scrubs wasn’t without its emotional and poignant moments, since one could argue it functions nearly as well as a dramatic series when in that mode.
But the humor is where Scrubs’ gets surgical with it. Whether we were joining J.D. in his wild daydreams, or the crazy events unfolding between characters while treating patients, this show excelled at delivering the laughs. If only we could witness John C. McGinley’s Dr. Cox ranting at residents while a nameless Janitor pranks people within a real-life hospital. Additionally, J.D. and Turk are one of TV’s all-time best-buddy pairings.
43. Bob's Burgers
In all of sitcom family-dom, few clans are as relatable in their middle-class weirdness as the Belcher family that serves up the titular meals and good-time goofiness on Bob’s Burgers. The beloved series from creator Loren Bouchard has followed sitcom standards to a T while building up its hilarity-filled universe of Italian restaurateur rivals, handyman besties, and plenty of schoolchildren I’d much rather watch on TV than deal with at home. But it’s the Belchers that keep us coming back.
From H. Jon Benjamin’s expertly exasperated attempts to get by to Louise’s rebellious sadism to Tina’s butt fascination, Bob’s Burgers is as timeless as the hamburger itself, and isn’t afraid to mix sweetness into the juvenile hijinks. A must-watch for pun enthusiasts.
42. The Cosby Show
Decades after its debut on NBC, The Cosby Show remains a seminal piece of TV work. This sharp family comedy offers a warm look at a family (who just happened to be Black) and, while the Huxtables are quite pristine, they never feel unrelatable, except perhaps where sweaters are concerned. The impeccable ensemble boasts the likes of Phylicia Rashad, Malcolm-Jamal Warner and Keshia Knight Pulliam masterfully playing off the series’ titular star. Give the writing staff credit, too, for formulating some eternally classic episodes, like “Goodbye Mr. Fish” and “Happy Anniversary.”
Of course, the show’s legacy has been further evaluated due to Bill Cosby’s legal entanglements, and understandably so. That debate will surely continue, though what’s hard to deny is the sitcom’s game-changing position in the cultural lexicon.
41. Party Down
“Are we having fun yet?” The oft-used sarcastic throwback to Henry’s (Adam Scott) singular professional achievement is actually a pretty fitting way to sum up the careers of the motley crew of caterers on Party Down. The aspiring actors and writers who comprise the eponymous catering company would certainly rather be pursuing their passions than serving drinks and apps to their rich customers, but with each episode plunking them into a different bougie event, it was delightful to see the ridiculous and usually cringey situations they would get themselves into.
On top of a fabulous ensemble cast featuring the likes of Ken Marino, Jane Lynch, Lizzy Caplan and Martin Starr, Party Down featured A+ cameos at each catering function. That Steve Guttenberg episode? Chef’s kiss, or at least a caterer’s kiss.
40. The Boondocks
We may never get another animated series about American society as unabashedly insightful as The Boondocks, which was created by Aaron McGruder and based on his comic strip of the same name. Each episode provides a thoughtful examination of the Black experience, principally seen through the eyes of young intellectual Huey Freeman and his gangster-wannabe brother Riley (both voiced by Oscar/Emmy Award-winner Regina King), under the spotty guidance of their John Witherspoon-voiced Granddad.
Not only does McGruder's bold writing provide clever observations about everything from rap music to movie theater decorum, but the anime style continues to remain eye-popping and brilliantly utilized. Especially with the killer kung-fu sequences, which demonstrate a deep love for both the animation medium and the martial arts action genre.
39. Abbott Elementary
Arguably one of the best sitcoms currently airing, Abbott Elementary took the world by storm when it premiered in 2021, introducing the world to Quinta Brunson’s brilliance as Janine Teagues. The Black Lady Sketch Show vet created, writes, produces and stars in the show centering on a Philadelphia school’s staff, and her care and love for it is infectious.
Between Gregory and Janine’s will-they-won’t-they relationship, hilarious talking heads and well-established characters with silly interests (like Ava being a doomsday prepper), this show has all the hallmarks of classic mockumentaries. However, its setting at an elementary school and the unique chemistry the incredible cast has developed make this ABC comedy one that will undoubtedly stand the test of time. (And it won’t need a stool like Janine, amirite, Ava?)
38. The IT Crowd
As if Graham Linehan’s entertainment legacy wasn’t already assured by Father Ted, the man went and crafted another all-time Britcom with The IT Crowd. (Okay, Black Books, too.) The basic premise follows the lives of corporate climber Jen (Katherine Parkinson) and IT department slackers Roy (Chris O’Dowd) and Moss (Richard Ayoade). A classic workplace sitcom trio if there ever was one.
In execution, the 25-episode run was far more fun and unpredictable than the set-up. Skewering corporate culture and malfeasance, as well as all things personal and pop, The IT Crowd feels like a cheeky mix between Seinfeld and Spaced. Not to mention this being a great place to get a Matt Berry fix.
37. Community
It’s difficult to summarize what makes Community such an exceptional sitcom. Its meta awareness and deep love of pop culture is a key ingredient, executed principally through the genius character that is Danny Pudi’s Abed Nadir. But that’s an example of the phenomenal way the show balances the unique voices of its seven main characters – be it the confident idiocy of Donald Glover’s Troy Barnes, the extreme selfishness of Joel McHale’s Jeff Winger, or ridiculous uptightness of Alison Brie’s Annie Edison.
These characters planted in an environment of ever-growing weirdness that is Greendale Community College permits wild, creative, and clever single episode stories… but also not to be slept on are its effective emotional swings (Like I said, it’s really Dean-ficult to sum up!)
36. Modern Family
Modern Family was one of the first family sitcoms to eschew studio audience laughter for the single-camera format, and its massive success and influence was undeniable. Running for eleven seasons, the star-studded sitcom gave viewers a front seat to watching the blended Pritchett and Dunphy families grow up together.
But what makes Modern Family one of the best sitcoms ever is its relatability and ability to tap into all the emotions. There’s plenty to laugh at, thanks to hilarious deliveries from Ed O’Neill, Julie Bowen, Ty Burrell and others, and more episodes than can be poignant, whether it’s about love, sexuality, growing up, or plenty of other feelings to connect to.
35. Arrested Development
At the far end of the “wholesome sitcom family” spectrum is the Bluth clan responsible for the majority of the conning and downward spiraling on Arrested Development. (Ron Howard’s Narrator: “They really were.”) With too many A+ cast members to namecheck in one breath, the fourth wall-breaking comedy is technically about the legal troubles surrounding the family company following a major scandal, but it’s really about the family’s myriad other problems.
Let’s see, we have twin-fidelity, oedipal complexes galore, PTSD from both Army (Mother!) and loss of limb, rampant alcoholism, potentially incestuous foreplay, hair metal magic, and never-nudism, though that’s a corner of a snowflake atop the tallest mountain of comedic quirks. Come for the brilliant performances, stay for the smartest callback jokes on TV.
34. WKRP In Cincinnati
WKRP in Cincinnati is one of those shows that never seems to receive its flowers quite enough alongside others from the era. Airing for four seasons between 1978 and 1982, the comedy takes place at a struggling AM radio station in the heart of the Midwest, and boasts everything one would want in a sitcom: great jokes, iconic characters, and unforgettable TV moments.
Despite early schedule struggles, WKRP eventually found its footing on CBS, thanks to audiences loving the comedic stylings of Howard Hesseman’s Dr. Johnny Fever, Tim Reid’s Venus Flytrap, and Richard Sanders’ Les Nessman. It’s always been a hit with radio DJs, for good reason, and produced quite possibly the greatest Thanksgiving TV treat (that doesn’t have Charlie Brown in it) with “Turkeys Away.”
33. The Critic
In the wake of The Simpsons’ success, creators Al Jean and Mike Reiss shaped a cult classic with The Critic, focused on bitter film critic Jay Sherman, voiced with gusto by Jon Lovitz. The animated sitcom took after its spiritual cousin, offering up both heartfelt and cuttingly satirical gags, and bouncing from ABC to Fox only sharpened the show’s edge.
Keenly lampooning the world of show business, The Critic’s writers crafted A+ parodies of classic films, fake cinematic atrocities so bad they’re funny, and welcomed cameos from actual critics. Anyone wanting to see Siskel & Ebert in a fist fight need look no further. Two words aptly sum up how we feel about this series not lasting nearly as long as The Simpsons: “It stinks.”
32. Married...with Children
With Frank Sinatra’s “Love and Marriage” performance as its subversively optimistic theme song, Married with Children is the gleefully bawdy archetype for sitcoms about miserable people. Ed O’Neill’s misogyny-encrusted slopfest Al Bundy stiff-arms his way through life with affection-seeking wife Peg, blonde joke incarnate daughter Kelly, and lazy hornball son Bud. And Katey Sagal, Christina Applegate and David Faustino are the epitome of “the family you love to watch, but would hate to live with.”
As the live-action series that put Fox on the map, Married with Children has long been celebrated for its politically incorrect humor and cartoonishly offensive storylines, and it remains among the most offensive TV shows of all time. But it worked because the Bundy’s always came out worse than anyone else.
31. Gravity Falls
Gravity Falls’ offbeat sitcom greatness truly deserves recognition for a show that may be written off for being a Disney Channel original. Creator and cast member Alex Hirsch crafted a well-animated, off-kilter show that wins over younger viewers with its thrills, humor and heart, while also capturing older viewers with overarching mysteries, surprisingly deep lore, and barrages of callbacks, clues and pause-required animation details. (Long live Bill Cypher!)
At the center of all the madness is the perfectly realized Pines family — Grunkle Stan, Dipper and Mabel — and their friends and co-workers like Wendy, Soos and others. With two seasons and 40 episodes under its belt, Gravity Falls is a tight show that builds to a very satisfying conclusion, even if fans railed against its cancellation at the time.
30. Parks And Recreation
When Parks and Recreation premiered, SNL and UCB vet Amy Poehler was its biggest name, but the careers of co-stars such as Nick Offerman, Chris Pratt, Retta and Aubrey Plaza exploded in the years after. And it’s no surprise, since the NBC sitcom is where they were able to hone their characters distinct personalities for seven seasons.
Parks and Rec follows the misfit-lite group running Pawnee, Indiana’s parks department Indiana, and had little trouble getting into the wildest hijinks in each 30-minute runtime. The episode “Flu Season” delivers the goods in a nutshell, between Amy Poehler pretending she’s not sick, Chris Pratt’s physical comedy, and Nick Offerman perfectly portraying Ron Swanson’s disdain for government work. Parks and Rec is a quirky and lively show that deserves a spot in everyone’s lives.
29. Letterkenny
It's not often that a show can lean heavily on both the importance of morals and the notion of violence, but Letterkenny managed to strike an amazing balance between the two for twelve seasons. The Canadian sitcom is known for its amazingly paced banter and extensive wordplay and unique phrasings. As if the amazing comedic timing wasn't enough, one of the main themes continues to acknowledge the importance of standing up for what you believe in and striving to do good in the world. "If a friend asks for help, you help them."
Creator and star of the show, Jared Keeso, has also recently hit another comedic home run in the Letterkenny extended universe with the spinoff Shoresy.
28. The Mary Tyler Moore Show
Four years after winning TV audiences’ hearts for the last time on The Dick Van Dyke Show, Mary Tyler Moore struck further gold with her own titular sitcom, earning a spot high on the pyramid of inspirational female pop culture icons. For seven seasons, Moore’s Mary Richards worked diligently amidst other colorful characters in the MJM newsroom, such as Gavin McCleod’s snarky Murray, Ted Knight’s dimwitted Ted, and Ed Anser’s ever-stoic (and spinoff-bound) Lou Grant. Not to mention Betty White’s ego-puff Sue Ann.
Outside the office, some of the Emmy-amassing show’s best scenes featured Mary mixing it up with her neighbor buddies Rhoda and Phyllis, portrayed with respective pizazz by Valerie Harper and Cloris Leachman. “Chuckles Bites the Dust” and “The Last Show” are as good as sitcom TV gets.
27. Friends
“Best sitcom” conversations can’t happen without mentioning Friends once or a dozen times. As the epitome of Must-See TV in the 1990s and early aughts, the sitcom skyrocketed its six stars — Jennifer Aniston, Courteney Cox. Lisa Kudrow, Matt LeBlanc, Matthew Perry and David Schwimmer — to fame. Decades later, the reruns are ever-present on TV and streaming, and the gang’s catchphrases continue to resonate as new generations make their way through Central Perk’s doors..
You don’t even have to have been a regular viewer to have heard Ross’ infamous “Pivot!” shout, to have a favorite Chandler quote, or to take a side on the Ross and Rachel “we were on a break” debate. Such universal recognition is relatively rare for a show that’s been off the air for 20 years.
26. The Office (UK)
We never would’ve met Steve Carell’s Michael Scott if there hadn’t been David Brent. Ricky Gerais and Stephen Merchant brought The Office to UK small screens in 2001 and, through two brief seasons and a Christmas special, introduced audiences everywhere to a new level of cringe in the form of this hilarious mockumentary series (one which kept its documentation scenarios realistic).
This dry and occasionally super-awkward comedy follows one branch of a paper company and its workers — played by Gervais, Martin Freeman, Mackenzie Crook, Lucy Davis and several other talented actors — as they attempt to get through each and every workday, dignity optional. It’s the simplicity of the show and the way the characters played off one another that made The Office a true gem.
25. Roseanne
Whether viewers are from the working class midwest or other parts of the country, Roseanne found a way to be relatable to so many. Through the sea of picture-perfect television families came the tidal wave that is the Conner family, who bickered, joked and suffered through enduring hard times. At the core of it all was a family raised by two parents, portrayed by Roseanne Barr and John Goodman, whose love remained strong throughout.
The Conners were never the idealized family everyone strives to be, but still feels like a mirror of what blue class households are really like. And despite the baffling retconned lottery season, and Barr’s off-screen controversy, Roseanne’s comfort-TV legacy remains as timeless as the family’s living room furniture.
24. The Dick Van Dyke Show
There are great workplace comedies and there are great domestic family comedies, but The Dick Van Dyke Show somehow stands out among the best ever in both capacities. From the moment Van Dyke goes barreling over that ottoman, you know you’re in for something special, as the star’s gifts for physical and verbal comedy are nearly unparalleled. He’s often not even the one delivering the best jokes, because his reaction to his legendary co-stars is the true punchline.
Speaking of, the show was very much a group effort, despite its single-star title. Conceived and written by co-star Carl Reiner, and co-starring the incomparable Mary Tyler Moore, Rose Marie, and Maury Amsterdam, all the pieces come together perfectly to make one of the most consistently high-quality sitcoms of all time.
23. What We Do In The Shadows
What We Do in the Shadows is a bonkers TV show that shouldn’t work, just like the vampires yelling “Bat!” shouldn’t work as a catchphrase, but it all absolutely does. The mockumentary, spunoff from the co-creators’ film of the same name, follows a group of ridiculous, socially out-of-touch bloodsuckers — save for energy vamp Colin Robinson and human familiar Guillermo — trying to prove their worth in Staten Island.
Despite how silly and NSFW the show is, movie-level prosthetics and visual effects help to elevate and add shocks to the narrative. The cast is truly outstanding, as it goes for any Matt Berry-infused cast, and WWDITS has earned as much awards recognition as any TV horror comedy. With murder and duplicitousness afoot, the series still hits all the sitcom benchmarks, including a fun neighbor (the mind-sapped Sean), a great theme song, and a bunch of A+ celebrity cameos.
22. The Office (U.S.)
Following the success of Ricky Gervais and Stephen Merchant’s brilliant U.K. series of the same name, Greg Daniels’ adaptation of The Office took the mockumentary style of its predecessor – along with some of the more amusing traits and dynamics of its characters – and set out to tell new stories with office workers in Scranton, Pennsylvania.
Whether it’s the hilarious standout ensemble of characters (led for most seasons by Steve Carell’s cringe-perfecting boss Michael Scott), the way it embraces the mundanity of office life, or how it follows years of these workers’ lives over years while squeezing every drop of humor along the way, The Office continues to be funny, relatable and — for many of us — a comfortable place to return to in the years since its fantastic 9-season run ended. Not to mention the timeless romances of Pam and Jim, Dwight and Angela, Phyllis and Bob Vance, Vance Refrigeration.
21. South Park
With more than 25 seasons and a growing number of one-off specials, South Park reigns supreme as a long-running pillar of TV satire. A look at the 20 best episodes from the series is an easy way to effectively understand just how relevant this series has been on so many levels, evolving from a Kenny-killing, catchphrase machine to a show with a lot more to say than T-shirt fodder.
What other TV series, much less animated comedy, has taken on major religious institutions, accused killers, wild dieting trends, controversial music superstars and world politics throughout its run? If others exist, they probably didn’t do it as well as South Park does, and there’s still no end in sight to the Trey Parker and Matt Stone’s pop culture phenomenon, even if the duo have understandably been less prolific animators in later years.
20. Brooklyn Nine-Nine
From some of the best TV cold opens – “I Want It That Way” sung by suspects, I mean, come on, it’s genius – to ongoing gags ike the annual heist, and “title of your sex tape” that make you laugh so hard your side hurts, Brooklyn Nine-Nine is a wild sitcom that is surprising in the best ways and absolutely irresistible as comfort comedy.
Led by Andy Samberg, Andre Braugher, Melissa Fumero, Stephanie Beatriz, Terry Crews and Joe Lo Truglio, this team of detectives quite literally never gets old, and Brooklyn Nine-Nine only got better in time as everyone grew comfortable in their roles and leaned into the silliness of their surroundings. Especially the all-time terrible cop duo of Hitchcock and Scully.
All around, what Dan Goor and Michael Schur created was so special, and as Jake Peralta would say “cool, cool, cool.”
19. Newhart
Bob Newhart struck TV gold a second time (not counting his stand-up appearances) with the endlessly cozy treasure Newhart, which centered on the comings and goings within the Stratford Inn in small-town Vermont. You know, the kind of small town where a man named Larry can have one brother named Darryl, and then also another brother named Darryl. It’s there where the star comedian and Mary Frann’s Dick and Joanna Loudon take over after a move from New York City, but their big-city know-how can’t quite compete with the quirkiness of their fellow residents.
Nothing ever gets old when it comes to watching the core cast — including Tom Poston, Julia Duffy and Peter Scolar — and the revolving door of recurring actors and guest stars bounce their energies off of Bob Newhart’s. And we’d be remiss not to give Newhart its flowers for shattering TV reality with its truly iconic finale twist.
18. All in the Family
All in the Family is arguably one of the most important TV series ever made, sitcom or otherwise, and shows don’t get the chance to change television if you’re not also good enough to stay on it in the first place. Not only was All in the Family successful enough to span eight seasons, but it also spawned five spinoffs. Despite the fact that the show’s primary character Archie Bunker was specifically designed to be the most bigoted person you know, it somehow all works so incredibly well. You love him even while you hate him, which is a testament to the abilities of creator Norman Lear and star Carroll O’Connor.
Dealing with, and poking fun at, topics that had been seen as taboo to even address previously, All in the Family courted its share of controversy and certainly ruffled some feathers. But that’s just further proof that it left an indelible and influential mark upon audiences everywhere.
17. Frasier
For a TV spinoff to be anywhere near as popular as its parent show is a huge accomplishment, and NBC’s Frasier pulled off just such a transition following Cheers’ conclusion. To be sure, it was plainly great to see Kelsey Grammer’s Frasier Crane taking center stage after all those stool-sat years as an ensemble character. However, it’s unlikely the sitcom would have been nearly as successful without the supporting cast of David Hyde Pierce’s Niles, Jane Leeves’ Daphne, Peri Gilpin’s Roz and John Mahoney’s Martin.
These five characters’ unique personalities and the dynamics they share with one another make them one of the best sitcom casts of all time, and we’ll throw Eddie a bone there as well. Let’s not gloss over the intelligent writing Frasier consistently delivered, which was part of the show’s 37 Emmy wins over its eleven years on the air. Its continued popularity even sparked the Parmaount+ revival of the same name.
16. Taxi
Speaking to Taxi’s greatness takes little beyond listing the murderer’s row of talent yukking it up for five seasons at the Sunshine Cab Company: Judd Hirsch, Danny DeVito, Marilu Henner, Andy Kaufman, Tony Danza, Jeff Conaway, Christopher Lloyd, and Carol Kane. Theoretically, these actors could have struck gold with any TV narrative, but the New York setting provided the comedically ideal edge and neuroses that earned the show 18 Emmys and millions of fans. (Not that Kaufman’s Latka Gravas was a local.) Not to mention the quartet of sitcom royalty in creators James L. Brooks, Stan Daniels, David Davis, and Ed Weinberger.
Despite such over-the-top personalities, Taxi excels at grounded and heartfelt storytelling as much as broader humor, never shying away from the characters’ relatable struggles or the hot-button issues of the time. Extra points for its appearances from future Cheers stars Ted Danson, Rhea Perlman and George Wendt.
15. The Golden Girls
The Golden Girls is excellent enough to convince audiences that spending your twilight years in a shared living space with your mother and two roommates is a blueprint for endless laughs, when that might not match up with reality. It’s a credit to the stellar cast comprising Bea Arthur, Betty White, Rue McClanahan, and Estelle Getty. Queens, one and all. Amidst all the drama, the endless insults thrown around, and the cheesecake, the foursome’s friendship really shines through in this show.
It’s indeed that friendship that causes the gals to get into some absolutely wild adventures. Who can forget the time Rose nearly ended the Cold War with the Soviets with a letter? Not every narrative goes quite so big as that, even if Blanche plays up her romances as such, but it’s always a helluva fun ride.
14. Curb Your Enthusiasm
After Seinfeld concluded its historic run in the late ‘90s, series co-creator Larry David could have ridden off into the sunset atop a horse made from residual checks. Instead, the stickler for human behavior not only created true sitcom brilliance, but also broke new ground for HBO and self-deprecating celeb cameos.
Curb Your Enthusiasm — far more than a pretty, pretty, pretty good show — never failed to inspire laughs and shocks in equal order, following David’s over-the-top fictionalized version of himself (think George Costanza on shame-eliminating steroids), facing so many provocatively awkward situations with a vast array of friends, colleagues, contemporaries, and eventual enemies. (R.I.P. Richard Lewis and Bob Einstein.) The largely improvised show found new ways to be both relevant and funny across 24 years and 12 seasons, a task that’s easier said (and avoided) than done. And it also delivered an all-timer of a finale, poking fun at Seinfeld’s polarizing conclusion.
13. The Larry Sanders Show
As host of the fictional late night talk show The Larry Sanders Show, Garry Shandling implores his audience to stay tuned, ordering them, “No flipping!” It was an easy command to obey when it came to HBO’s The Larry Sanders Show, still one of the bravest, funniest, and most insightful programs that happily sinks its teeth into the Hollywood hand that feeds.
Larry is just an exaggerated caricature of Garry Shandling, who let all of his own neurosis and anxieties fly out of the mouth of his insecure comedic television personality who desperately wanted to be liked by his chosen industry. And the show got a lot of mileage out of real-life celebrities appearing and poking fun at their public personas. (David Duchovny for the win.) But it’s the supporting cast – led by the late Rip Torn and the wonderful Jeffrey Tambor – that elevates Larry Sanders to legendary status. There’ll never be another as biting and satirical as this.
12. Spaced
Simon Pegg and Nick Frost’s long history with director Edgar Wright includes the so-called Three Flavours Cornetto trilogy (Shaun of the Dead, Hot Fuzz and The World's End). Before that, though, they rocked the sitcom landscape with the UK gem Spaced. A relatable premise is vital to a good sitcom, and it was so easy to fall in love with pro slacker Tim (Pegg) and the uber-dramatic Daisy (Jessica Stevenson) while shrewdly securing their affordable apartment under the watchful eye of Julia Deaken’s landlady Marsha.
In addition to watching Tim and Daisy maintain their ruse of being a “professional couple” while figuring out the whole adulting thing, Spaced — one of Simon Pegg’s best projects — packed in endless horror movie references, video game easter eggs, and more pop culture love. (The pantomime gun fight is everything.) It also featured a supporting cast of hilariously exaggerated characters that will NOT have you wanting to “skip to the end.”
11. The Good Place
Sitcoms are, by design, often stagnant, with the same characters facing similar situations week after week. If the jokes land, everything works, but if not, well… Then along came The Good Place to throw those preconceptions out the window. If creator Michael Schur had just repeated Season 1’s twisty premise for five seasons, it would have still been good, but The Good Place achieved true greatness with its storytelling.
Fronted by Kristen Bell and Ted Danson in top-tier fashion, The Good Place takes massive risks with its afterlife-set narrative, changing elements from one season to the next. The house of (God) cards would have tumbled down had it not all worked as infallibly as the big man himself, but it never even wavered. Indeed, The Good Place is simply forking unbelievable from beginning to end, buttressed by fully realized characters portrayed by co-leads William Jackson Harper, Jameela Jamil, Manny Jacinto, and D’Arcy Carden. Stream the show for everyone now, Janet. Janet..?
10. Fawlty Towers
As part of Monty Python’s sextet of comedy masterminds, John Cleese had already conquered the world of sketch comedy and film, so the next obvious move was to craft a largely perfect sitcom with then-wife Connie Booth, and Fawlty Towers was just such perfection across twelve increasingly fraught.
Set within the non-existing titular hotel in Torquay, Cleese’s Basil Fawlty suffers the existence of everyone around him, especially Prunella Scales’ Sybil, his oft-demanding wife, and the language issues of Andrew Sachs’ Manuel, the establishment’s Spanish waiter. Booth’s chambermaid Polly gets slightly less irritation for being regularly competent. A hotel owner who hates his clientele is in the high-concept echelon, and the series offered up an eternally memorable selection of frequent and one-time guests, as well as builders, inspectors and others whose actions bring Basil’s blood pressure to a proper boil.
Similar to other classic ‘70s and ‘80s sitcoms, Fawlty Towers has been both celebrated and derided for its politically incorrect humor. It's perhaps exemplified best by the series’ marquee episode “The Germans,” and is something Cleese intends to replicate with the revival series he’s creating with daughter Camilla.
9. Cheers
Locations can mean everything to a sitcom. Memorable shows are set in places to which we want to return, from Mel’s Diner to the Dunder Mifflin offices to, of course, the bar from Cheers – where everybody knows your name. Audiences became such regulars to the comfortable sitcom, we practically expected to hear our own names shouted out, a la Norm, when we turned the program on.
The familiarity and welcomeness of Cheers kept us tuning in, even as some of the cast rotated. We all invested heavily in the “will they or won’t they” relationship of barkeep Sam Malone (Ted Danson) and waitress Diane Chambers (Shelley Long), but stuck around when Diane was replaced by Rebecca (Kirstie Alley); and Southern simpleton Woody (Woody Harrelson) was embraced after first filling in for the departed Coach (Nicholas Colasanto). Not that anyone could ever replace Cliff Clavin.
Television hasn’t been the same since Cheers closed its doors, with Frasier going a completely different spinoff route, and I’m not sure another show can be set in a bar, and reach the high bar set by this program.
8. The Simpsons
I think there’s an argument to be made that The Simpsons should have a place on any top 100 list when it comes to describing the best television, regardless of what additional parameters there may be. Part of the allure of this series, as it heads toward 800 episodes, is that there’s not really anything it hasn’t done at this point. There’s a Simpsons episode for whatever mood readers are feeling that day, though it may take a bit of research to figure out which one that is.
What I love most about The Simpsons is how the series has evolved with time and how the show has modernized the characters with the times while still retaining the core elements that audiences loved about them. Sure, seeing Homer Simpson send memes to Lisa on a smartphone can feel a bit jarring sometimes, but it’s also 100% on-brand for the patriarch and definitely less weird in the modern day to younger audiences compared to if he was still using a rotary phone. Plus, if you prefer the old stuff, it’s all available to stream on Disney+
7. I Love Lucy
For the majority of TV’s existence as an entertainment platform, sitcoms have been synonymous with Lucille Ball, who achieved icon status several times over during her run as Lucy Ricardo in I Love Lucy (and other incarnations and later series). The series remains a blueprint reference for sitcom-crafting, and was revolutionary at the time for not only its star, but for her real-life husband Desi Arnaz portraying her faux hubby Ricky, and more.
While I Love Lucy could occasionally pull an emotional heartstring or two, its strength was comedy, and Ball maximized that concept throughout its run. Lucy and Ricky are as loud and wild a TV couple as can be, especially opposite their slightly more subdued neighbors Fred and Ethel Mertz. From Lucy’s efforts to get into Ricky’s shows to her attempts to hock Vitameatavegamin to her and Ethel’s conveyor belt struggles, the show regularly produced unforgettable sequences.
I Love Lucy is also revolutionary for women in television, with Ball helping pave the way for so many other amazing female actresses to lead their own successful shows, even if struggles are still real on that front. No need for further ‘splanation: I Love Lucy is TV gold.
6. Schitt's Creek
Schitt’s Creek didn’t truly hit the mainstream until its final season, but when people found it, its popularity exploded and its legacy was cemented. Created by father-son duo Dan and Eugene Levy, the comedy centers on a rich family who loses all their money, with the titular town as their silver lining. Annie Murphy and Catherine O’Hara co-star alongside the Levys in this most hilarious fish out of water story.
Seeing these four totally out of their element within the less-than-chic town is an easy way in for viewers. But the hooks that keep people watching are Catherine O’Hara’s ridiculous fake accent, Dan Levy’s sassy one-liners, Annie Murphy’s over-the-top everything as Alexis, Eugene Levy’s brilliant straight-man reactions, and the heartfelt growth this family goes through as they learn to love each other and the town they now call home.
Since the show became a sensation, lines like “Ew David!” have entered the everyday lexicon, and impersonations of Moira and Alexis can be seen frequently on social media. Schitt’s Creek shined bright when it was on — remember the network Pop? — and since then it’s cemented itself as a permanent part of the zeitgeist.
5. It's Always Sunny In Philadelphia
Rarely does a piece of pop culture offer up a character who constantly proves themself to be unendingly vile, self-consumed, aloof, destructive and terrible for society. But a combination of those words describes literally every single character who speaks in It’s Always Sunny in Philadelphia. Of course, the biggest and most hilarious offenders are the central Paddy’s Pub gang made up of possible serial killer Dennis (Glenn Howerton), his slightly less evil Bird…e… sister Dee, the sexually fluid approval-seeking Mac (Rob McElhenny), glue-eating connoisseur and janitor Charlie (Charlie Day) and the shockingly demented and depraved Frank (Danny DeVito).
No stone goes unturned when it comes to shocking viewers with how low these characters will go to achieve even the most meaningless iota of recognition or selfish pleasure. There’s racially charged (and socially questionable) takes on Lethal Weapon and The Wiz, exploiting all manner of substance and behavior addictions, satirical jabs at gun control, welfare, sexual assault, and much more. Its unsanitary hilarity is cherished among fans who have watched it live on longer than any other TV comedy in history, with no end in sight. (Except for Danny DeVito’s bare one, that is.)
4. King Of The Hill
Animation isn’t often a medium for classic sitcoms, but Mike Judge’s King of the Hill delivered on all fronts by settling audiences into the everyday life of the Hill family. Hank, Peggy, Bobby, and an assortment of other Arlen standouts kept viewers rolling and clamoring for more Southern-fried hilarity during its 13-season stretch. (And more is on the way thanks to Hulu’s revival.)
King of the Hill tackles issues while poking fun at them in ways that most viewers can probably relate to — from the stresses of the workplace to the terror of puberty to the awkwardness of family — adding a layer of realism to the two-dimensional characters’ world. To that end, Judge’s series is also atypical for adhering to realism throughout, as opposed to going off the cartoonish deep end for laughs (outside of dream sequences, that is).
Judge’s Hank and Kathy Najimy’s Peggy, along with Brittany Murphy’s Luanne and Pamela Adlon’s Bobby, provide a lot of the show’s heart and soul with their struggles and not-always-brilliant reactions to those struggles. But it always helps to have friends around like the hapless good’n Bill, the conspiracy-obsessed Dale and the mush-mouthed Boomhauer.
3. Seinfeld
It’s joked that Seinfeld is “a show about nothing,” and that’s a fair surface-only assessment. The NBC hit provides no lasting messages or morals, and it focuses the majority of its creative energy on eccentric minutiae of everyday life – be it waiting forever for a table at a restaurant or getting in disputes with cashiers over proper change. Characters don’t grow or change — save for temporary shrinkage and mustache-growing — and there’s no reach for deep themes. They’re not even nice people.
And yet, it’s utterly brilliant, timeless, and endlessly rewatchable.
Jerry, George, Kramer and Elaine each have their own unique and hilarious personalities strengthened by the actors’ performances, which in turn drives hilarious stories that unlock the real magic of the show: the way everything intertwines. Kramer golfing on the beach is its own weird gag, but also perfectly sets up George being called into action to rescue a beached whale after previously lying about being a marine biologist. Just about every sitcom since the early 1990s has tried to capture some of the magic of the nine-season series, but there is only one Seinfeld. (A notion that Newman would applaud.)
2. Veep
Veep was the [censored] creation of Armando Iannucci, the mastermind known for The Thick of It and Alan Partridge’s various incarnations, and HBO’s political workplace comedy is dripping with just as much satire and [censored] as anything graced by his Midas touch before or after. It’s one of the fastest and foulest sitcoms to date, with a jokes-per-minute rate that rivals other rapid-paced greats like The Simpsons and Arrested Development, and a [censored]-per-minute rate that is second to none.
As it goes with the best of the best, Veep boasts and expansive ensemble of uppermost geniuses, as led by Emmy magnet Julie Louis-Dreyfus’ Vice President (and then some) Selina Meyer, whose struggles to remain a boss in Washington D.C. means absolute hell for the masses of aides, pundits, strategists, etc. in her orbit. That applies most to her body man and extra appendage Gary, played with aplomb by Tony Hale.
Every Veep co-star brings something perfect to the table, from Anna Chlumsky’s rage suppression as Amy to Matt Walsh’s common sense suppression as Mike; from Reid Scott’s smarm-oozing Dan to Timothy Simons’ arbitrary naysayer Jonah. And we’d just as easily watch spinoffs centered on Kevin Dunn’s Ben and Gary Cole’s Kent, as well as Sam Richardson’s go-getter Richard Splett.
1. BoJack Horseman
One of the best animated TV shows of all time, Netflix’s BoJack Horseman took the adult-toon formula and evolved it into six seasons of one of TV history’s most unique offerings that — at least in CinemaBlend’s perspective — is the sitcom GOAT. Will Arnett is perfect voicing the tragic title character, a past-his-prime ‘90s sitcom star and substance abuser, and he’s bolstered by a who’s who of talented actors portrayed well-written characters, including fan-favorites Diane Nguyen (Alison Brie) and Mr. Peanutbutter (Paul F. Tompkins).
After establishing its sitcom formula in its earliest wordplay-embracing seasons, Bojack Horseman begins getting experimental with its format in phenomenal ways, such as with Season 3’s “Fish Out of Water,” a thought-provoking underwater story with no dialogue, or Season 5’s “Big Churro,” a full-length Bojack eulogy following a big character death.
There are certainly laughs to be had, for sure — big, hearty, consistent, gut-shredding, animalistic laughs throughout all six seasons — but don’t be surprised if you end up shedding a tear or suffering an existential crisis or two along the way as well. The show-within-a-show Horsin’ Around probably wouldn’t have made it onto this list, but BoJack Horseman itself is a Triple Crown winner of the highest order.
